ZBrush女性經(jīng)典視頻教程

語(yǔ)言：英語(yǔ)
網(wǎng)址：https://gnomonology.com/group/27
類別：教程
Gnomonology 出品，在 ZBrush 中雕塑一個(gè)女性半身像的教程。該系列教程側(cè)重于 ZBrush 基本造型技巧，包括：封嵌模型，內(nèi)部形態(tài)集結(jié)，塑造精確形態(tài)，雕刻五官，松弛網(wǎng)格工具，雕刻波浪狀頭發(fā)，女性模型塑造訣竅。
Gnomonology 為 Gnomon 培訓(xùn)機(jī)構(gòu)最新開(kāi)發(fā)的一個(gè)教程資源網(wǎng)站，目前提供了資深專家 Alex Alvarez、Meats Meier、Zack Petroc 和 Scott Spencer 等約50個(gè)小時(shí)的視頻內(nèi)容，涵蓋的軟件有 Maya、Photoshop、3ds Max Zbrush、After Effects、Headus、Houdini。
This tutorial series focuses on fundamental sculpting skills in ZBrush. It covers:
Blocking in Your Model
Massing Internal Forms
Sculpting Precise Form
Sculpting Facial Features
Reconstructing Higher SubDiv
Sculpting Wavy Hair
Tips for Creating Feminine Form
Chapter One: Blocking in Your Model
Starting with a simple ZSphere base, chapter one focuses on blocking in the main forms of the shoulder, neck and head. Using SubTools, the hair is also added and blocked in. The following tools are demonstrated: Clay Brush, Standard Brush w/ Pinch, Reconstruct Higher SubDiv, EdgeLoop, SubTool, Transpose
Duration: 21min
Chapter Two: Massing Internal Forms and Sculpting Features
In chapter two, we focus on massing the internal forms, sculpting the eyes, ears, nose, mouth and the basic anatomy of the shoulder girdle. We also spend some time discussing the difficulties of sculpting beautiful women. Then explore one way to help us the softness of the feminine form without losing structure. The following tools are demonstrated: Clay Brush, Masks, Standard Brush w/ Pinch
Duration: 24min
Chapter Three: Sculpting Flowing Hair
In chapter three, we focus on massing and detailing the hair. We utilize the Move brush to establish the overall shape and then refine that shape by modifing the Slash 2 brush and utilizing the Clay, ClayTubes and SnakeHook brush. We spend time The following tools are demonstrated: Clay Brush, ClayTubes Brush, A Modified Slash 2 Brush, Standard Brush w/ Pinch, SnakeHook
Duration: 18min
Chapter Four: Details, Details, Details
In chapter four, we finalize the details of our sculpt. We further refine the features and spend some time texturing the hair. In this chapter, we look at how you can use the morph brush to bring back form that you have previously erased. Our goal, at this stage, is to make sure that our sculpt has a combination of hard and soft edges that guide our audiences eyes around the model. The following tools are demonstrated: Clay Brush, ClayTubes Brush, Rake Brush, Slash 2 Brush, Standard Brush w/ Pinch, Morph Brush
Duration: 17min