包含5節(jié)視頻教程
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tools
i used adobe photoshop cs2 and optical mouse.
amd athlon(tm) 64x2 dual
core processor 3800+
2.01 ghz, 2 gb ram
工具:
我使用的工具是adobe photoshop cs2 和光學(xué)鼠標(biāo)
athlon(tm) 64x2 dual core processor 3800+ 2.01 ghz
2 gb ram
preparation
i decided to go with this small resolution 541x 747 because it was comfortable with the screen size i had.
準(zhǔn)備:
我決定使用541*747這個小分辨率,因為它與我的屏幕大小很匹配。
coloring and shading
著色和底紋
i put very basic colors with shadows and light information’s
我把非;镜念伾凸庥靶畔嫼
paint very basic shadows and lighting information for entire image. so we can understand the light variations and shadow depth. i used simple steps to paint the image. i like to reveal the steps at this point of the painting.
繪制基本的陰影和光影信息,因此,我們可以了解到光的變化和陰影的深度,我用簡單的的步驟來繪制這個圖像.
i added some more detailing on face and trying to shape the image
我加了一些臉上的細(xì)節(jié)并試圖開始塑造形體.
i used the smooth brush for painting the body and the cloth folding and also play with the opacity and the brush presets.
我使用了一個光滑的筆刷繪制身體和布料的褶皺同時配合著調(diào)整筆刷的透明度和預(yù)設(shè)值。
at this point i added more details in the hair and cloth area.
在這,我在頭發(fā)和布料這些地方添加了更多的細(xì)節(jié)。
now am going to discuss the core part of my painting, the opacity and jitter value of the brushes, i spent a lot of time to get the nice result. so lets look at the steps of the process here.
i used both hard and soft brush set for painting and also adjust the flow of the paint by using the opacity jitter and flow jitter.
i used the duel brush in brush preset for the skin painting and also switch on the “noise presets”
現(xiàn)在,我想談一談我的畫,不透明度和抖動都是畫筆的核心部分,我花了很多時間來調(diào)整到我想要的結(jié)果。因此,這個過程的步驟看這里。
我使用了硬和軟筆刷的設(shè)置,同時也調(diào)整了不透明度和抖動和抖動的流量。
我用畫筆為肌膚畫也開啟了雙筆刷這個預(yù)設(shè),同時也開啟了“噪點”這個參數(shù)。
this brush set i used for adding very small nice in skin and hair sets
這套筆刷是我添加了參數(shù)值非常小的筆刷,用來繪制漂亮的皮膚和頭發(fā)用。
我畫的皮膚是用軟圓筆刷,因為它能夠帶來流暢的效果,我選擇了39像素的畫筆設(shè)置噴濺,因為這樣很容易繪制出凹凸的效果,對于,最后的調(diào)整我是用的是模糊-高斯模糊數(shù)值是0.2.
in cloth painting i built very basic folds by using the hard air brush sets, and add more color variation in between the folding by edge smoothing i use the soft round 300 pixels brush sets. finally i adjusted the hue/saturation light to 7
在繪制布料時,使用硬一點的筆刷先繪制出基本的褶皺,并添加平滑,我是使用的是軟圓形300像素的筆刷嵌套著使用會更具有優(yōu)勢。最后,我調(diào)整了色相飽和度。
in hair painting i used the soft round 300 pixel brush set for initial coloring, and again added the highlight stroke by using the spatter 14 pixels and also i played with the shape dynamic –size jitter -39% for random distortion. i played with the smooth and dry brush with opacity in final adjustments.
在畫頭發(fā)的時候使用的是軟圓形300像素的初始設(shè)置進(jìn)行著色,并再次使用噴濺添加14像順著整體的形體動態(tài)進(jìn)行提亮,大小抖動值39%的隨機(jī)并在最后調(diào)整了透明度進(jìn)行更細(xì)致想調(diào)整。
this is the basic setup of brush i used the entire image painting. so now we can go through the remaining part of the making of "lust"
這是我的用的筆刷的基本設(shè)置,幾乎畫完了整個圖像,所以現(xiàn)在我們可以通過隨心所欲的畫完其余的部分。
now i am going to play with the face shadows.
現(xiàn)在我要開始繪制臉上的陰影關(guān)系。
add more realism to face by painting the eyes and nose.
添加更多的寫實風(fēng)格的眼睛和鼻子的細(xì)節(jié)。
add more depth in face and neck by using the air brush.
通過使用噴槍筆刷添加更多的面部和頸部的深度。
i put specular highlights for lips and nose and also lot of care to paint in the skin.
我添加了一些嘴唇和鼻子的高光并修改了一部分皮膚上的細(xì)節(jié)。
hair detailing.
美化頭發(fā)。
finalize the hair by using the smooth and dry brush set. and also i played with the opacity and flow jitter 。
最終的頭發(fā)使用圓滑和干筆刷,而且我還調(diào)整了一下不透明度和流動量。
i am going to paint the hand and fingers; it takes a lot of time to attain the correct lighting. it is really a head breaking job.
我要畫的是手和手指;它需要大量的時間來調(diào)整到我想要的光照效果。這實在是一個突破性的工作。
final adjustment on fingers by using the smooth brush set and opacity.
最后的指頭調(diào)整是使用的是一個圓滑的筆刷設(shè)置并調(diào)整了一些透明度。
add more detailing into the footwear and skin.
添加一些鞋子和皮膚的一些細(xì)節(jié)。
add the specular highlights into the footwear.
在鞋子上添加一些高光效果。
adding the fold and light and shadow depth into the cloth by playing the basic smooth brush, i played with the layer opacity to gain the inner depth of the cloth .i used the brush opacity is below 20.
添加布料褶皺上光和陰影的變化關(guān)系,我使用的是一個光滑的筆刷,并且調(diào)整了一些透明度,從而畫出更豐富的灰度細(xì)節(jié),當(dāng)然,我用的畫筆透明度一般要低于20。
am going to add more detailing on cloth a kind of white balancing ,i put more contrast to the cloth by using hue and saturation and curve parameters.
and also adjust the blur-gaussian blur- value is .1 and also have some levels adjustments.
現(xiàn)在在布料上添加更多白色平衡上的微妙的變化,我調(diào)整布料色調(diào)和飽和度更多的是用曲線參數(shù)進(jìn)行調(diào)整的。
而且還調(diào)整了模糊值-使用的是高斯模糊-數(shù)值為0.1,當(dāng)然,這個數(shù)值也是有一定上下浮動的調(diào)整。
add more detailing on the back side of the cloth
添加布料部分背面的細(xì)節(jié)。
erase the unwanted paint behind the hair and also finalize the cloth by using soft brush set and blur tool. so here i reached my limits…. :)
刪除頭發(fā)后面不需要的部分,最終確定的布料中使用了軟一點的筆刷添加一些細(xì)節(jié)并適當(dāng)?shù)哪:艘恍。?dāng)然,在這里已經(jīng)達(dá)到了我的極限…. :)
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